{"id":1165,"date":"2012-05-18T15:53:34","date_gmt":"2012-05-18T15:53:34","guid":{"rendered":"http:\/\/www.obsidiannoise.com\/blog\/?p=1165"},"modified":"2012-05-18T16:01:57","modified_gmt":"2012-05-18T16:01:57","slug":"1165","status":"publish","type":"post","link":"https:\/\/www.obsidiannoise.com\/blog\/2012\/05\/18\/1165\/","title":{"rendered":""},"content":{"rendered":"<p>My first real guitar was the Ibanez Xiphos. It was a perfect starting point&#8211; narrow neck, neck-through and string-through design, and maybe most importantly for my playing, two ceramic dimargio DeActivator pickups&#8211; very hot. I have it tuned to Open-C because I like the layering effect and it&#8217;s easy to play.<\/p>\n<p><a href=\"http:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/xiphos.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1167\" title=\"xiphos\" src=\"http:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/xiphos-1024x495.png\" alt=\"\" width=\"960\" height=\"464\" srcset=\"https:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/xiphos-1024x495.png 1024w, https:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/xiphos-300x145.png 300w, https:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/xiphos.png 1431w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><a href=\"http:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/DV020_Jpg_Jumbo_620741.jpeg\"><br \/>\n<\/a>When I first got the new guitar, my first high quality guitar, a Gibson Les Paul Baritone, I really liked the feel. The difference in quality was very apparent, from the weight and balance, string responsiveness and overall resonance, it was superior. I have it tuned to Open-B because of the extended scale length&#8211; it lets me keep it low without the strings getting wobbly.<\/p>\n<p><a href=\"http:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/LP-Bari.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1168\" title=\"LP Bari\" src=\"http:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/LP-Bari-1024x454.png\" alt=\"\" width=\"960\" height=\"425\" srcset=\"https:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/LP-Bari-1024x454.png 1024w, https:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/LP-Bari-300x133.png 300w, https:\/\/www.obsidiannoise.com\/blog\/wp-content\/uploads\/2012\/05\/LP-Bari.png 1439w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/p>\n<p>But as much as I like playing the Les Paul, \u00a0the tone was just too soft for me. It sounded tamped down, maybe muffled. Aficionados might call it &#8220;smooth and buttery&#8221; or whatever, but my guitar playing is meant to destroy entire universes, not butter my bread. I could send the signal through a bunch of processing and get it close to the chunk and bite of the Xiphos, but it was tough. I&#8217;d often find myself wailing on the strings during jam, sometimes probably a bit too much, in search of the tone I like.<\/p>\n<p>After about two months of playing the Les Paul, two weeks ago I began playing the Xiphos again and found it to be better. The crunch and harmonics were just so satisfying and effortless, and I was cruising on it, psyched, re-motivated and productive. What to do?<\/p>\n<p>The LP is a superior guitar in just about every other way&#8211; from the wood used to the rest of the hardware and overall design and balance. It stays in tune amazingly and feels like a tank, which I like. So the only real option was to swap the standard Gibson pickups out for something more powerful. A friend recommended hand-wound pickups by a UK company called <a href=\"https:\/\/bareknucklepickups.co.uk\/main\/pickups.php?cat=humbuckers\">Bareknuckle.<\/a> Great name.<\/p>\n<p>I corresponded with a person there about my style of playing and my guitar and we settled on the <a href=\"https:\/\/bareknucklepickups.co.uk\/main\/pickups.php?cat=humbuckers&amp;sub=contemporary&amp;pickup=warpig\">Warpig model<\/a>&#8212; their highest power pickup. I grabbed a calibrated set, bridge and neck, and installed a couple days ago.<\/p>\n<p>They&#8217;re freakin&#8217; hot. Easily as hot as the D Activators and with a ton more bass response. I&#8217;ve played for about 6 hours with them now and I&#8217;m relieved and excited. The tone is fantastic and I think overall it&#8217;s just a superior match for the baritone. At jam a couple days ago, I was all over the place, loving all the surprises and capabilities that emerged. Especially with high-gain, high-distortion processing, the Warpigs are a whole new experience. I&#8217;ll post tracks up soon.<\/p>\n<p>I might now have the perfect axe for my playing and my desired playing and am ready for a summer full of composing and recording.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My first real guitar was the Ibanez Xiphos. It was a perfect starting point&#8211; narrow neck, neck-through and string-through design, and maybe most importantly for my playing, two ceramic dimargio DeActivator pickups&#8211; very hot. I have it tuned to Open-C &hellip; <a href=\"https:\/\/www.obsidiannoise.com\/blog\/2012\/05\/18\/1165\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-1165","post","type-post","status-publish","format-standard","hentry","category-journal"],"_links":{"self":[{"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/posts\/1165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/comments?post=1165"}],"version-history":[{"count":3,"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/posts\/1165\/revisions"}],"predecessor-version":[{"id":1170,"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/posts\/1165\/revisions\/1170"}],"wp:attachment":[{"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/media?parent=1165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/categories?post=1165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.obsidiannoise.com\/blog\/wp-json\/wp\/v2\/tags?post=1165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}